Engelska

<i>Zombies want brains. Vampires want blood. Cannibals want human flesh. </i>All<i> monsters need feeding.</i><br/><br/>Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of <i>The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets</i> and countless other horror films and TV series over the last few years, loving the genre still prompts the question: <i>what's wrong with you?</i> Implying, of course, that there is something <i>not quite right</i> about the people who make and consume it. In <i>Feeding the Monster</i>, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

In this fascinating collection, Jenny Erpenbeck meditates on the disappearance and impermanence of things. Whether recalling the demolition of familiar places, the loss of a friendship, or a change in social attitudes, Erpenbeck's sharp intelligence, eye for telling detail, and her nuanced perspective on her country's history and her own writing lifeimbue these short pieces with lasting power.

In 2006, in the wake of several miscarriages, Joanna Pocock travelled by Greyhound bus across the US from Detroit to Los Angeles. Seventeen years later, now in her 50s, she undertakes the same journey, revisiting the same cities, edgelands, highways and motels in the footsteps of the few women writers - Simone de Beauvoir, Ethel Mannin and Irma Kurtz - who chronicled their own road trips across the US. In <em>Greyhound</em>, Pocock explores the overlap of place and memory, the individual with the communal, and the privatization of public space as she navigates two very different landscapes - an earlier, less atomized America, and a current one mired in inequality, as it teeters on the brink of environmental catastrophe. Her focus is on the built-upon environment: the rivers of tarmac, the illuminated gas stations, the sprawling suburbs and the sites of extraction created specifically to fuel contemporary life. Combining memoir, reportage, environmental writing and literary criticism, <em>Greyhound</em> is a moving and immersive book that captures an America in the throes of late capitalism with all its beauty, horror and complexity.

In 1920, Virginia and Leonard Woolf's Hogarth Press published Maxim Gorky's <em>Reminiscences of Tolstoy</em> and it was recognized almost immediately as one of the few masterpieces of modern biography. 'It is one of the most remarkable biographical pieces ever written,' writes Leonard Woolf in his autobiography. 'It makes one hear, see, feel Tolstoy and his character as if one were sitting in the same room - his greatness and his littleness, his entrancing and infuriating complexity, his titanic and poetic personality, his superb humour.' In 1934, the book was expanded to include Gorky's memoirs of two other great Russian literary figures, Anton Chekhov and Leonid Andreev. Almost a hundred years later, <em>Reminiscences of Tolstoy, Chekhov and Andreev</em> is reissued in a superb new translation by Bryan Karetnyk.

One of the most celebrated novelists in the English language, George Orwell was also a prolific essay writer and literary reviewer, penning articles on such diverse subjects as the craft of writing, international politics and British cookery, and on such varied authors as Charles Dickens, H.G. Wells, George Bernard Shaw and P.G. Wodehouse.<br/><br/>This volume collects all of Orwell's major essays, including 'Shooting an Elephant', 'Inside the Whale', 'Politics and the English Language', 'Why I Write' and 'Politics vs Literature: An Examination of Gulliver's Travels', as well as a generous selection of shorter pieces on a variety of literary and political subjects. As a whole, this collection will provide useful insights into Orwell as a committed intellectual and serve as an indispensable companion to his fiction.

<b>Make your words beautiful and unique, with these elegant hand-lettering styles.</b><br/><br/> Professional hand-lettering artist Kate Forrester presents twenty-six of her most popular scripts in easy-to-follow exercises. Ranging from fluid calligraphic styles to antique mosaics, there's an alphabet here for every occasion. Display capitals, in bold colours, also appear, lifting this book far above the competition.

Dive into the literary world of Taylor Swift like never before. Between the pages of this interactive journal you will meet iconic characters of classic literature, soak up the magic of folklore and fairytales, delve into the imagery of tortured poets, and so much more. Welcome to Taylor's cosy library and lose yourself in the pages of ancient and modern literary classics. The journal is organised into ten themes, from the unreliable narrator of The Great Gatsby, the feminism of The Bell Jar, coming-of-age struggles of To Kill a Mockingbird or the social commentary of The Crucible. Discover the influence of Wuthering Heights running through songs like Enchanted and ivy, or the inspiration of The Picture of Dorian Gray in mirrorball and Anti-Hero. Deep dive into each topic with prompts, questions and invitations to create, doodle and dream, making this a private diary just for you Discover visual easter eggs with the Music Video Muse, which explains the visual storytelling behind Taylor's music videos Write your own lyrics or start a book club! With all your bookish knowledge, you too can be a songwriter or continue your literary journey. If you haven't read the books, no problem! SwiftNotes are provided for every literary work to give you a crash course. With a gorgeous ribbon and every page filled with beautiful illustrations, this will be a journal to treasure and return to time and again.